Jordan Crandall
BIOBIBLIOGRAPHY ........................... New York/ *USA 1960 Artist and media theorist. Solo exhibitions during the past year include the Neue Galerie am Landesmuseum Johanneum in Graz; ARTLAB-Spiral Gallery in Tokyo; the Museo de Arte Carillo Gil in Mexico City; the Centre d'Art Contemporain de Basse-Normandie; the Kunst-Werke, Berlin; Sandra Gering Gallery in New York; the Kitchen in New York; and (in cooperation with V2_Organization, Rotterdam) the TENT Centrum Beeldende Kunst in Rotterdam. Group exhibitions include InSITE in San Diego and Tijuana; Net_Condition and CNTRL [SPACE] at the ZKM in Karlsruhe; Greater New York at PS1 in New York; and Documenta X in Kassel. An anthology of Crandall's critical writings on technology and culture, with an introduction by Peter Weibel, will be published in 2001 by Cantz Verlag and the Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe. Crandall's current book is ‘Suspension’ (Documenta X, 1997). He is co-editor of ‘Interaction: Artistic Practice in the Network’ (New York, D.A.P., 2001) and founding editor of ‘Blast’, http://www.blast.org. SOLO EXHIBITIONS ........................... He has written on technology and culture for a variety of media, including ‘Artforum’, ‘Atlantica’, ‘TRANS.arts.cultures.media’, and ‘CTHEORY’. He lectures widely on the cultural and political dimensions of new technology at such institutions as Akademie der Bildenden Künste in Vienna; the ‘Washington Project for the Arts/Corcoran’ Museum in Washington DC; the University of São Paulo and the Museum of Contemporary Art in São Paulo; the Cité Internationale Universitaire de Paris and Université Paris 8; and the Institute of Contemporary Arts (ICA) in London. He has participated in many international conferences including ‘ARCO’ in Madrid; ‘Artifices4’ in Saint-Denis; ‘Object vs. Pixels’ in Amsterdam; the ‘film+arc’ Biennial in Graz; the Festival of Computer Arts in Maribor; the Conference on Internet and Society at Harvard University; ‘Media Arts in Transition’ at the Walker Art Center, ‘Global Circuits’ at the Institute of International Visual Arts (inIVA), London; and the ‘Art, Technology, and Culture’ Colloquium at UC Berkeley. He has organized many online conferences including ‘Networks and Markets’, in conjunction with the Institute of International Visual Arts (inIVA) in London, and ‘Artistic Practice in the Network’, in collaboration with Eyebeam Atelier in New York. He holds a seat on the Advisory Board of ‘Social Movement Studies’: a journal of cultural, political, and social protest (Routledge). He regularly serves as a visiting critic and has recently served as Visiting Professor at the École Nationale Supérieure des Beaux-Arts, Paris. Crandall's videos have been presented at many international film and media festivals including the World Wide Video Festival in Amsterdam; the Transmediale International Media Art Festival Berlin; the Montreal International Festival of New Cinema and New Media; the MIX Festival at Anthology Film Archives in New York City; the European Media Art Festival in Osnabruck, Germany; and the Rotterdam International Film Festival. |
