|
BIOBIBLIOGRAPHY
...........................
New York/ *USA 1973
B.A., Rice University, English (c. l.)
M.A., Columbia University, English & Comp. Lit. (Hons)
SUNY/Buffalo, Film, Photography, Digital Arts
SOLO SHOWS
...........................
2002
Kunsthochschule für Medien Köln, Cologne/D
Hunter College, New York
2001
Boston Film Society, Boston
Pacific Film Archive, Berkeley
California College of Arts and Crafts, Oakland/CA
San Francisco Art Institute, San Francisco
TWO PERSON SHOW
...........................
2001
Flying Saucer Café, Brooklyn, NY
GROUP EXHIBITIONS
...........................
2002
Rotterdam International Film Festival, Rotterdam
Whitney Biennial, Whitney Museum of American Art, New York
"Negation and Consumption", program curated by Les Leveque for Ocularis, Brooklyn, NY
CRITICAL ACTIVITIES
...........................
2002
Contributor to the "Anthology of Art", initiated by Jochen Gerz
"Untitled", essay on Wolfgang Staehle's net installation for "Artists respond to 9/11", published in French by Artcite, Paris
"Out for an erotic drive with the critical mechanics of voyeurism", essay on the media work of Scott Stark in "Don't Even Think", cat. publ. by the San Francisco Cinematheque
"The Girls of Kamaré", by René Viénet, screening & presentation, Images Film and Video Festival, Toronto
"Terror and Spectacle", essay on program curated for the "Internationale Kurzfilmtage Oberhausen", publ. in English and German (festival cat.)
ACTIVITIES
...........................
2002
Workshop/Seminar, Kunsthochschule für Medien Köln, Cologne/D
Workshop/Seminar on Video Installation, Goddard College, Plainfield/VT
2001-2002
Visiting Lecturer, Dept. of Media Culture, The College of Staten Island, CUNY Courses Taught: Basic Film and Video Production, Intermediate Film and Video Production, Introduction to Film, Graduate Seminar in Experimental Film
BIBLIOGRAPHY
...........................
2002
"For the Birds", cat. essay by Chrissie Iles for 2002 Whitney Biennial
2001
"De/Reconstructing Pornography in Found Footage Films", by William C. Wees, program notes for Impakt Film Festival
"The Memory of History: Films by Wuest, Thompson, and Sanborn", review by Fred Camper, Chicago Reader, April 6, 2026
|
|
|