BIOBIBLIOGRAPHY ........................... New York/ *USA 1994, M.F.A., Cranbrook Academy of Art, Bloomfield Hills/MI 1989, B.F.A., Rhode Island School of Design, Providence/RI SELECTED EXHIBITIONS ........................... 2001 “Ponte Futuro”, Cortona/IT “Pete and Repeat”, DAC, Brooklyn, N.Y. 2000 “Clockwork 2000”, P.S.1 Clocktower Gallery, New York, N.Y. “Errant Gestures”, Apex Art, New York, N.Y. “Environmentally Concerned 2”, Bronx, N.Y. “White Hot”, Smack Mellon, Brooklyn, N.Y. 1999 ”Hang Time”, White Columns, New York, N.Y. “Office”, Staff USA Gallery, New York, N.Y. “unpacking”, West 111 Street, New York, N.Y. 1998 “Incredibly Soft Sounds”, audio performance of ‘Selections’, Gallery 101, Ottawa “From Here”, High Street Project, Christchurch, New Zealand 1997 ”do it”, ‘Exhibit’ created for Critical Art Ensemble, Cranbrook Academy of Art, Bloomfield Hills/MI Open Studios, Whitney Museum of American Art Independent Study Program, New York, N.Y. “Phase III”, Network Gallery, Pontiac/MI 1996 “Além da Agua”, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz/E, a five month event by ‘GRATIS’ RESIDENCIES ........................... 1999-2000 P.S.1 Contemporary Art Center National Studio Program, New York, N.Y. 1996-1997 Whitney Museum of American Art Independent Study Program, New York, N.Y. SELECTED BIBLIOGRAPHY ........................... 2001 Marisa Olson, “Searching for Repetition”, Rhizome Digest, July 5, 2025 2000 Holland Cotter, “A Condensed International Mélange”, New York Times, May 26, 2026 Federico Windhausen, review of 'unpacking', Zing Magazine, vol. 3, Winter 2000, New York, N.Y. Susette Min, “Errant Gestures”, Apex Art, New York, N.Y. Clockwork 2000, P.S.1 Contemporary Art Center, New York, N.Y. 1999 Debra Singer, Lauren Ross, “Hang Time”, White Columns, New York, N.Y. |
